Relation to oneself· Existence
Tragic thought
Axis: Tonality of reality — Is the world fundamentally good, or marked by the tragic?
The world is neither rational nor benevolent: suffering, conflict and meaninglessness lie at the heart of existence, and no final harmony will redeem them. Lucidity demands facing this tragic ground rather than embellishing it.
Movements 1
Show inferred positions (1)
Existentialisminferable
The existentialist view of reality is contingent, gratuitous, without rational guarantee: nausea before brute existence and the anguish of freedom give the movement a tragic tonality, close to the sense of . It remains tempered, however, by confidence in commitment and action.
Nausea · Kierkegaard, The Concept of Anxiety
Philosophers 5
Schopenhauerexplicit
For him pessimism is not a mood but an argued thesis: since willing is infinite lack, suffering is essential to life, not accidental, pleasure being merely the momentary cessation of a pain. To the systems of progress and final harmony he opposes the plain evidence of hospitals, prisons, and battlefields.
The World as Will and Representation, §59
Camusexplicit
The world has neither providence nor hidden harmony: this is a tragic outlook, in which man faces an indifferent universe that does not answer his demand. Camus nonetheless keeps this lucidity clear of despair, which makes it an accepted tragic stance rather than a nihilism.
The Myth of Sisyphus (1942) · Nuptials (1939)
Nietzscheexplicit
From onward, Nietzsche conceives the ground of reality as painful chaos, without providence or pre-established harmony: this is tragic thought. But against 's resigned pessimism, he turns it into the occasion for a Dionysian affirmation, hence a tragic but not extreme position.
The Birth of Tragedy · The Gay Science, §370
Show inferred positions (2)
Sartreinferable
Existence is contingent and without justification: being-in-itself is de trop (superfluous), gratuitous, and consciousness arises in a world that promises it nothing. The human condition is marked by anguish, abandonment and despair, and by the failure of every craving for the absolute (man is a useless passion). This tragic tone of finitude leans clearly toward tragic thought, without however reaching a defeatist pessimism, since freedom remains a foothold.
Being and Nothingness, conclusion (man is a useless passion) · Nausea (contingency, being superfluous)
Beauvoirinferable
The human condition is fundamentally ambiguous: we are at once freedom and facticity, subject and thing, consciousness and a body doomed to death, with no reconciliation possible in a guaranteed harmony. Beauvoir assumes this tension as a tragic given of existence, to be lived lucidly rather than fled, yet without lapsing into despair.
The Ethics of Ambiguity (1947), the ambiguity of the human condition
Characters 1
Meursaultexplicit
Meursault never looks for a meaning or a hidden intention in events: things happen to him as the sun warms or the sea bears him up, with neither benevolence nor hostility. The very star that makes the swim voluptuous bears down with its blind force on the beach: the mark of a universe without providence, where no harmony watches over men. Before this world he holds himself with no revolt and no metaphysical consolation: a calm lucidity that expects from nature no tenderness it does not have.
Part I, chapter 6: the sun, a blind force neither benevolent nor hostile · Part I, chapter 2: the distant, sensory gaze upon the world
The inventory of absent illsHabitInspired by Schopenhauer
Do not count what you lack, but the ills that, right now, are sparing you.
holds happiness to be negative: pleasure is only the cessation of a pain, and we feel neither our health, nor the roof that shelters us, nor the misfortunes that spare us, so long as they are present. Hence a counsel of wisdom: instead of counting what we lack, learn to notice the ills that, at this moment, are spared us. It is the surest way to be a little less unhappy.
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